CV
Curriculum Vitae
Spotlight
Spotlight Profile
Theatre
| Character | Production | Company | Director |
| Lum | LOVESICK BLUES:THE HANK WILLIAMS STORY | Oran Mor | Dave Anderson |
| The Sheriff | THE ADVENTURES OF ROBIN HOOD | Visible Fictions | Dougie Irvine |
| Danny | THE SPOKESMEN | Visible Fictions | Dougie Irvine |
| Mr Hans | LITTLE ULLA | Grinagog | Claire McGarry |
| Ian Hubbard | A CHORUS OF DISAPPROVAL | Pitlochry Festival Theatre | Richard Baron |
| Ambrose Kemper | HELLO DOLLY | Pitlochry Festival Theatre | John Durnin |
| Lord Darlington | LADY WINDEMERES FAN | Pitlochry Festival Theatre | Richard Baron |
| Fred | PRESENT LAUGHTER | Pitlochry Festival Theatre | John Durnin |
| Robert Burns | TAM O SHANTER | Communicado | Gerry Mulgrew |
| The Undertaker | THE 27 CLUB | Forever 27 | Toby Gough |
| Lucifer | IMMACULATE | Tabby Cat | Bill Wright |
| Johnny | THE CURSE OF THE DEMETER | Visible Fictions | Dougie Irvine |
| Gil Martin | 200 | Oran Mor | David MacLennan/Dave Anderson |
| Archie | THE NOT SO FATAL DEATH OF GRANPA FREDO | Vox Motus | Jamie Harrison and Candice Edmunds |
| Miko | TURBO FOLK | Oran Mor | Sacha Kyle |
| Rory | THE CHING ROOM | Citizen’s Theatre | Cheryl Martin |
| Josh | JASON AND THE ARGONAUTS | Visible Fictions | Dougie Irvine |
| Guitarist | MERCY MADONNA OF MALAWI | International Festival | John Kielty |
| Louis | ELF ANALYSIS | Oran Mor | Jemima Levick |
| Sancho Panza | DON QUIOXTE | Theatre Modo | Martin Danzinger |
| Everybody Elsie | BIG BABY | Visible Fictions | Dougie Irvine |
| Kenny | USE ONCE AND DESTROY | Squidge Productions | Martin Daraz |
| Nedo | ZLATA’S DIARY | Communicado | Gerry Mulgrew/Gerda Stevenson |
| Frank | FLY | Liverpool Everyman | Matthew Lloyd |
| Stevie | INTO THE DARK | Visible Fictions | Dougie Irvine |
| Caliban | THE TEMPEST | Creation Theatre Co. | Zoe Seton |
Radio
| Character | Show | Director |
| Andrew Jenkins | BRIEF LIVES | Gary Brown |
| Des | GODS BIDDING | Gaynor MacFarlane |
| Reader | SCOTTISH SHORTS – PAINT FUMES | Eilidh McCreadie |
| John Brodie | THE SENSITIVE – UNDERGROUND MAN | Bruce Young |
| Chris | A FIRM HAND | Gaynor MacFarlane |
| Sean | CATERPILLARS | Gaynor MacFarlane |
| Headmaster/Dan Lucas | COALITION | Eilidh McCredie |
| Sir Donald Murdo | PAUL TEMPLE – THE GREGORY AFFAIR | Patrick Rayner |
| Rory Kintoul | REBUS: THE BLACK BOOK | Bruce Young |
| I-Dent | RADIO 4 EXTRA | Paul Arnold |
| Andy | THE PENALTY | Kirsteen Cameron |
| Colonel Johnson | SEEING IS BELIEVING | Gaynor MacFarlane |
| Dave McCabe | THE INCOMPLETE WORKS OF DAVE MCCABE | Kirsty Williams |
| Hedley | AN EXPERT IN MURDER | Gaynor MacFarlane |
| Patch Coltrane | MCLEVY | Patrick Rayner |
| Judd Fuller | REBUS: BLACK AND BLUE | Bruce Young |
| George Staunton | THE HEART OF MIDLOTHIAN | Bruce Young |
| Zontik | THE MAGICIANS DAUGHTER | Bruce Young |
| Scorpio | ALMOST BLUE | Lu Kemp |
| Narrator | BOOK AT BEDTIME: ‘BELONGING’ | Kirsty Williams |
| Henry Paton | MCLEVY | Patrick Rayner |
| Ritchie | THE DOLL’S TEA SET | Gaynor MacFarlane |
| Stephen Wingate | THE GOWK STORM | David Ian Neville |
| Gem | THE GREAT ESCAPE | Gaynor MacFarlane |
| Wimburne | THE LADY DETECTIVES | Patrick Raynor |
| Friderich | RADIO 4 EXTRA | Paul Arnold |
| Adzio | DR KORCZAKS EXAMPLE | Lu Kemp |
| Wimburne | MR BOVEY’S UNEXPECTED WILL | Patrick Rayner |
| Brian | THE DISTANT ECHO | Lu Kemp |
| Arthur | THE GOLDEN SLIPPER | Patrick Rayner |
| Dan Sweeney | MCLEVY | Patrick Rayner |
Film and TV
| Title | Company | Director |
| ANDREW MARR’S GREAT SCOTS: THE WRITERS WHO SHAPED A NATION | BBC | Fatima Salaria |
| OUTPOST 2 – BLACK SUN | Black Camel Productions | Steve Barker |
| NO MORE SHALL WE PART | Factotum Films | Shaun Hughes |
Skills
Accents: Edinburgh, Glasgow, Highlands, Scots, Northern English (Manchester, Liverpool), Northern Irish, RP, Standard American, American-Southern States
Music: Guitar (Rhythm, Lead, Classical) – Highly Skilled, Singing (Baritone), Songwriting.
Sports: Rugby, Football, Tennis, Badmington, Pool.
Other:
Painting
Drawing
Role Play
Improvisation
Recently Performed on Broadway and The Sydney Opera House
Winner of The Carleton Hobbs